Far from disappearing, the humble compact cassette has found fresh favour on the DIY music scene, with the return of tape-only labels being one of the most surprising developments of recent years. However, taking into account the digital ‘loudness wars’ eloquently deliniated in Greg Milner’s Perfecting Sound Forever, which saw the likes of Metallica’s huge fanbase lambasting the ‘everything louder than everything else’ approach, mebbe the humble analogue cassette’s ability to absorb serious overloading and sound simply triffic makes more sense… and then there’s the excellent blank tape insert art, as reflected by this excellent Flickr set.
With this technique Victor van Gaasbeek used the most basic elements in todays graphic design; the pixel.
The pixels were sliced in half, and with the sliced pixels created numerous animal heads. Up-close all you see is triangles, but when you look from a distance, the big picture becomes clear. Check out Victor’s site @ victorvangaasbeek.com
Following on from the hot 2010 trend for American workwear that we blogged about, transplanted French designer Christophe Loiron has started a new style digression with his California-based brand Mister Freedom‘s Spring 2011 collection, Les Apaches.
Taking inspiration from Parisien hoodlum kultchur of the late 19th and early 20th centuries, Loiron’s really gone to town on this homage to his home country’s organic street style. The attention to detail is astonishing, not least this beautiful, specially-commissioned shirt box, painted by Patrick Segui. Expect the influence of the Les Apaches collection to be felt on UK high streets next year — minus the packaging!
Monkee Business, Eric Lefcowitz’s new tome about the world’s first boyband, is now available in a nifty limited edition run of 300 copies that feature a die-cut cover inset with double-sided coins depicting the respective noggins of Messrs Nesmith, Tork, Jones and Dolenz, as used on the regular paperback shown below. The limited edition is available here.
Opened in Nashville by brothers Herbert and Charles Hatch in 1879, Hatch Show Print is America’s oldest printing business and is still creating beautiful letterpress posters and handbills using its huge library of hand-cut blocks. From Elvis, Johnny Cash and Hank Williams, to The White Stripes and REM, Hatch has advertised ’em all. And as Hatch still turns out around 600 print jobs each year, t’ain’t goin’ anyplace soon, bub…
We first became aware of this guy’s work when Hollywood director Jon Favreau tweeted a hand drawn poster for Iron Man II earlier this year.
The illustrator’s name is Tyler Stout, who hails from Washington in the States. He’s spent years caught up watching films and honing his craft, and it’s through this focus that you can see why he didn’t have a girlfriend until he was in his early 20s.
But it’s that kind of love for the subject matter that’s paid off in his later life, getting commissions to produce brilliantly observed re-imagings of current and classic movie posters.
We’re hugely keen on his ‘Kuato Lives’ Total Recall poster – the ‘two weeeeeeeeeks’ head is great – but all of his posters bring something to the party that hasn’t been seen in film posters for years.
Let’s hope we see a return to these sorts of promo values in the near future – all of our lives would be the better for it.
For more of Tyler’s work, stop by at his website – you may even be able to pick yourself up a print, but you’ll need to be quick!