Far from disappearing, the humble compact cassette has found fresh favour on the DIY music scene, with the return of tape-only labels being one of the most surprising developments of recent years. However, taking into account the digital ‘loudness wars’ eloquently deliniated in Greg Milner’s Perfecting Sound Forever, which saw the likes of Metallica’s huge fanbase lambasting the ‘everything louder than everything else’ approach, mebbe the humble analogue cassette’s ability to absorb serious overloading and sound simply triffic makes more sense… and then there’s the excellent blank tape insert art, as reflected by this excellent Flickr set.
Following on from the hot 2010 trend for American workwear that we blogged about, transplanted French designer Christophe Loiron has started a new style digression with his California-based brand Mister Freedom‘s Spring 2011 collection, Les Apaches.
Taking inspiration from Parisien hoodlum kultchur of the late 19th and early 20th centuries, Loiron’s really gone to town on this homage to his home country’s organic street style. The attention to detail is astonishing, not least this beautiful, specially-commissioned shirt box, painted by Patrick Segui. Expect the influence of the Les Apaches collection to be felt on UK high streets next year — minus the packaging!
Monkee Business, Eric Lefcowitz’s new tome about the world’s first boyband, is now available in a nifty limited edition run of 300 copies that feature a die-cut cover inset with double-sided coins depicting the respective noggins of Messrs Nesmith, Tork, Jones and Dolenz, as used on the regular paperback shown below. The limited edition is available here.
“Sleeves were designed originally to serve as a protective device for records and labels during shipment. In the case of “45” rpm records, however, a device of this nature becomes unnecessary. The raised label area on 45’s fully prevents any harmful contact between the grooved surfaces of records during shipment. Paper separators – such as this sheet – are designed to protect record labels during shipment. They have no other useful function and may be discarded at your convenience…”
Sage record care advice from the folks at RCA Victor, circa 1952.
As you can see from the small selection of 45 sleeves shown above, thankfully, the rest of the music industry — and, indeed, RCA itself — didn’t share this rather quite touching faith in the durability of the company’s new vinyl medium, and quickly turned the humble shipping protector into an art form in its own right.
RCA’s numpty claim is very redolent of those made on behalf of the CD when it was first introduced — most famously on a 1981 episode of the popular TV science show, Tomorrow’s World, wherein the presenters happily smeared a shiny biscuit with jam, then wiped it off and played it, as if proving that it was virtually indestructible! And we know how that ended…